Signed

Kabukicho, Shinjuku

Patches of blood, bare genitalia

A sliver of darkness that’s not meant to be seen.

They called me Yukari.

“How we make a living? Sell our hearts, piece by piece by piece.”

- Hideka Tonomura

 

Hideka Tonomura'sphotographs show her obstinacy towards her family and are acclaimed for their uniqueness which are very physiologic and at the same time, somewhat comedic.

Artist Profile

Hideka TONOMURA

Born in 1979, Hideka Tonomura graduated from the Broadcasting and Filmmaking Department of Osaka Visual Arts School and began photography in 2002. She published her first photobook “Mama Love” in 2008 with Akaaka Art Publishing, revealing her deepest pain and her family’s dark, hidden secrets, which made an unforgettable impression on the public. In 2013 she published “They Called Me Yukari” with Zen Foto Gallery, documenting the life and people around her when she worked as a hostess in Kabukicho, Shinjuku. Her other publications include “Orange Elephant” (Zen Foto Gallery, 2015), “cheki” (Morel Books, 2018), “die of love” (Zen Foto Gallery, 2018), “SHINING WOMAN #cancerbeauty” (Zen Foto Gallery, 2020), “mama 恋 love” [New Edition] 
(Zen Foto Gallery, 2021), “Toxic” (Zen Foto Gallery, 2022) and “They Called Me Yukari [New Edition] (Zen Foto Gallery, 2023).

Actively presenting her work in and out of Japan, she participated in the group exhibitions 
“Shikijo: Eroticism in Japanese Photography”, Blindspot Gallery, Hong Kong (2016); 
Daiwa Foundation Japan House Gallery, London (2018); “10/10 Celebrating Contemporary Japanese Women Photographers”, Kyotographie, Kyoto (2022), “Love Songs”, La MEP – La Maison Européenne de la Photographie, Paris (2022), and the Arles International Photography Festival Associate Programme “Transcendence” (2024).

Tonomura launched the “SHINING WOMAN PROJECT” in 2019, a portrait project dedicated to women fighting cancer. In 2022, her debut work “Mama Love” was collected by the MEP – La Maison Européenne de la Photographie, Paris.

Gallery Exhibitions