Zen Foto Gallery is pleased to announce an exhibition of photographs by Tamiko Nishimura, which will be on display from March 7 (Friday) to April 26 (Saturday), 2025. This exhibition is being held to celebrate the publication of “Looking Back”, our latest publication with Nishimura.

Nishimura is widely regarded as one of the most prominent photographers in the recent global trend of re-evaluating Japanese women photographers. Her early works, such as "Shikishima" and "Eternal Chase", a collection of her works from the 1970s, and her "My Journey" series, a trilogy of her early and recent works, have garnered significant acclaim, particularly abroad. Last year, her works were exhibited at prominent international events such as the Arles International Photo Festival and the T3 Photo Festival Tokyo.

This exhibition will feature a curated selection of unpublished works from 1968 to the 1970s, including vintage prints from the period.

"The photographs in the book Looking Back were selected from about 1,000 photographs I took between 1968 and the 1970s.

During 1968 and 1969, when I was a student at a photography school, I took many photographs of the plays by the Jokyo Gekijo [Situation Theatre], directed by Juro Kara, in a relatively short period of time. I presented the photographs as my graduation project and titled them Existence, which was later published as a photo book in 2011.

In December 1968 I travelled alone to Okinawa before it was returned to Japan. I witnessed the dismemberment of a goat on the beach, stayed with a large family, and when I visited the Koza area, now Okinawa City, I was warned not to enter the American district. These were all unforgettable experiences.

After graduating in the 1970s, I had a lot of time on my hands. I photographed every day and travelled a lot. Looking back, it was the time when I took the most pictures. Perhaps because I had been longing for the north since childhood, I often went to Tohoku, Hokkaido and Hokuriku in winter to experience the snowy season.

In 1973, I published the photo book Shikishima, a compilation of my travel photographs and snapshots of Tokyo I had taken up to that time. Shikishima was made simultaneously by myself, and after 50 years, publishing Looking Back feels like I am travelling back to that time, but it is actually a very different journey.

In April 2024, I went to New York for the first time for my solo exhibition. I shot 12 rolls of film in one week, taking photographs in the car from the apartment I was staying in Brooklyn to the gallery in Manhattan, and walking around near the apartment.

I couldn’t help but laugh as I was taking snapshots at the market in the park near my apartment, thinking that I was doing just the same, fifty years ago."

— Tamiko Nishimura

Artist Profile

Tamiko NISHIMURA

Born in 1948 in Tokyo, Nishimura graduated from Tokyo Photography College (currently Tokyo Visual Arts) in 1969. Her graduation work was a photography series of Jōkyō Gekijo (Situation Theatre), forefront of the underground theatre movement led by Jūrō Kara. After her graduation, she met Daido Moriyama, Kōji Taki and Takuma Nakahira, three highly influential members of the Provoke movement. She assisted them in the darkroom from time to time up between 1969 and 1970, while she continued her personal shooting on her travels. Later in 1973, Nishimura made her debut through the first publication “Shikishima” published by Tokyo Photography College, showcasing her photographs taken from 1969 to 1972 on her journeys around Japan including Hokkaidō, Tōhoku, Hokuriku, Kantō, Kansai and Chūgoku regions. She also began to travel to Southeastern Asia and Europe in the 1980s. Nishimura’s language of expression is poetic, spiritual and deeply personal. Looking back on her career, Nishimura describes it as a sequence of journeys, and she continued photographing with her nomadic lifestyle. Her photography, revealing what is beyond a journey, is a manifold portrait of life wherever she encounters.

Her main publications are “Shikishima” (Tokyo Photography College, 1973. Reprinted by Zen Foto Gallery in 2014), “vent calmoso” (Sokyu-sha, 2005), “Existence 1968-69” (graficamag, 2011), “Eternal Chase” (graficamag, 2012), “Kittenish...” (Zen Foto Gallery, 2015), “My Journey” (Zen Foto Gallery, 2018) and “Voyage” (Zen Foto Gallery, 2019), “My Journey II. 1968–1989“ (Zen Foto Gallery, 2019), “My Journey III. 1993-2022“ (Zen Foto Gallery, 2022) and “Looking Back“ (Zen Foto Gallery, 2024). Her works are included in the collection of M+ Museum (Hong Kong).

Publications & Prints