RED 1997-2007

MO Yi

Red 1997-2007 is the second photobook by Chinese artist Mo-Yi and accompanies the exhibition “Study - Red 1982-2017” at Zen Foto Gallery (June 23rd - July 19th 2017).

Time flew by. Today when I was trying to go through these works, I recalled that I still have a large collection of street snapshots taken without the red flashlight and realized how I have been paying extra attention to anything red that appeared in sight since the 1980s. The color red is exceptional in China. In other countries the color is widely used during revolutionary and socialist movements period. Once the period passes, red becomes scarce. Yet only in China, red is deeply rooted in the ethnic culture: New Year couplets, double happiness calligraphy and firecrackers; In the common streets: street signs, door gates and advertisements; In common people’s homes - even their quilted beddings might be red. However, red that appears in great quantities on purpose is usually related with the politics: the red scarf that was tied around my neck when I was 7 years old, the little red book of “Quotations from Chairman Mao Tse-tung”, the red badges that millions of Red Guards wore, the red party flag that members have to face when they join the group, the red cloth that covers the corpses of senior officials, and till this day, all kinds of red banners used for propagandas still appear everywhere on the streets.

Is red the memory of “revolution” during Mao’s era? Does it represent passion, desire, blood, and war? Or is it stimulating our eyes for a primal reaction? I need to ask myself why “red” continuously appeared in my artworks — Have I chosen you time after time, or have you chosen me since a long time ago in between all the chaos?

— Mo Yi

Book Size
153 x 215 mm
Pages
152 pages
Binding
Hardcover
Publication Date
2017
Language
Japanese, English, Chinese

Artist Profile

MO Yi

Mo Yi was born in Tibet in 1958. He was once a professional soccer player and later became a freelance photographer. He was active in Tianjin in the 1980s. After moving between various places including Tibet and Beijing, he currently resides in Jiangxi Province, China. Widely recognised as one of the most important artists of Chinese Contemporary Photography that emerged from 1980s, Mo captures the alienation and oppression of urban life in China, sometimes with himself intervening and appearing in the images. Mo has exhibited in many institutions and art festivals, including Les Rencontres d'Arles de la Photographie (Arles, France), UCCA Beijing (Beijing, China, 2024), Museum für Fotografie (Berlin, Germany, 2017), Three Shadow Photography Art Centre (Beijing, China, 2010), and the seminal travelling exhibition “Between Past and Future: New Photography and Video from China” (International Centre of Photography, New York, USA, 2004–2006). Mo’s work is included in the collections of the Museum of Fine Arts, Houston, U.S.A, Chinese Image and Video Archive, Canada, Guangdong Museum, China, as well as private collections.

Gallery Exhibitions